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This is a common warning in certain circles that co-parenting a canine companion post-separation is ill-advised. Experts frequently claim such setups hinder former couples from healing, lead to scheduling chaos, lead to tension, and are a nuisance for everyone involved. Seemingly, as a development fit for a streaming movie, it can even cause the canine in question to become depressed.

Without minimizing the emotional well-being of our pets – pet parents observe their remarkable empathy. To witness a masterclass in pet despair, simply recall recent cinema. There is little doubt that a dog such as Merv, a wired-hair terrier mix brought to life by Gus the Dog, would have a hard time adjusting to life in two homes. If this concept a feature-length romcom on this conflict holds water is a questionable prospect.

Predictable Foundations

Honestly, Merv, written by Dane Clark and Linsey Stewart and under the guidance of playwright Jessica Swale, doesn't pretend to be deeper than what it is. This is a seasonal offering from a corporate studio – the ambitions is limited. The narrative proves to be simple and direct: former spouses Russ (Charlie Cox) and Anna (Zooey Deschanel), forced to acknowledge that their own sadness is surpassed by their dog's, take a therapeutic trip to a luxury pet hotel. Once there, as expected, they will presumably rediscover the idea that they belong with each other. Ensemble players – including Chris Redd, Jasmine Mathews, and others – serve as the usual assortment of types. Visually carries the feel of a streaming service original, with a wintry atmosphere that is clearly manufactured – exemplified by obvious snow effects piled on green trees as a summer location substitutes for a cold December city.

Where the Film Shines

If these familiar elements merge into a pleasant experience hinges on the execution and an acceptance of easy entertainment. Regarding the second aspect, Merv hones in on a demographic – the kind who seek out for dog videos. It provides a plethora of adorable dog montages. The primary selling point is Merv himself, and though it results in some stilted moments between the pet's "lines" and human reaction, the movie does offer canine party antics, dog depression, and, finally, doggie joy.

Where It Wobbles

The same praise is not earned for the human side of the story. The film's approach wavers between relationship drama, broad humor, formulaic romance, and silly gags, never fully committing to a single genre. The fault lies not with the actor playing Russ, who is fully game the absurd and awkward inherent in the unusual premise. Cox exhibits a likable self-deprecation that supplies much of the film's charm for this seemingly ideal couple. Zooey Deschanel, as is her trademark, imparts a particular brand of eccentricity that will either resonate with viewers. Her portrayal can feel a bit too dry, notably when paired with Cox's vulnerable performance. (On another note, Merv himself succeeds in acting depressed – not quite a canine thespian of that caliber, he remains a scene-stealer.)

The film attempts to add substance to the central romance for moments when the dog is absent – which is unfortunate, considering the dog is undoubtedly the best part of this film designed for charm. Unsurprisingly, it meets the bare minimum. The reason for their separation could have been more grounded and mature with less exposition and less blunt explanation. In the end, Merv is light and sugary, meeting all its marks. Crafting a story on this shared-custody premise has potential – even if it's hardly a stroke of genius.

• Merv streams on Prime Video starting December 10.